London: Orpheus Press [printed at the Curwen Press], 1960. Tall Octavo. Bound in original pictorial paper covered boards, with japon spine lettered in gilt. Unpaginated [48pp.]. A Fine copy. Designed and published by Douglas Martin. One 950 unnumbered copies, from a total edition of 1000 copies. More
Clairvaux, France / London: Trianon Press, for the William Blake Trust, 1970. Quarto. Bound in original quarter green morocco with marbled-paper covered boards, spine lettered in gilt, and housed in original marbled card slipcase. Printed on Arches pure rag paper. 10 plates in colour collotype + 'Description and bibliographical statement'..... More
Clairvaux, France / London: Trianon Press, for the William Blake Trust, 1967. Quarto. Bound in original quarter brown morocco with marbled-paper covered boards, top edge gilt, spine lettered in gilt, and housed in original marbled card slipcase. A fine copy. Slipcase has some minor rubbing at edges, else fine. Printed..... More
[San Francisco]: Manroot [printed by Neon Sun Press], 1979. Octavo. In original orange paper wrappers supported by a stiff folded sheet of black paper, with printed illustration to both covers, and printed lettering to the upper cover. Unpaginated [18 loose bifolia leaves of text; one bifolium of plain Japanese mulberry..... More
London: Eugrammia Press, 1962. Folio. Bound in original quarter red leather, with black cloth covered boards decorated with the opening text of Chapter II, spine lettered in gilt, and top-edge gilt. A Fine copy. This facsimile of the 1561 Lyon edition of Duvet’s L’Apocalypse was printed by collotype by L...... More
Rugby, Warwickshire: The Gamecock Press, 1980. Octavo. Bound in original beige cloth, with black-blocked lettering to the spine, and Gill’s monogram blocked in red to the upper cover. 30pp. [+14pp. of plates and accompanying text]. A Fine copy. Hand-set in Gill’s Joanna type, and printed by Peter Lloyd. One of..... More
York: Fairfax Press [printed by Christopher Skelton at his Skelton’s Press], 1980. Bound in original quarter cream calf, with blue cloth covered boards, two vertical gilt rolls to the covers, spine titled in gilt, top-edge gilt, others uncut, and pictorial endpapers by Henry Moore; housed in publisher’s cloth slipcase with..... More
Benzonia, Michigan: Presscraft Papers Inc., 1973. Octavo. Bound in original decorated paper covered boards, with pictorial endpapers, fore-edges uncut and dyed red, others cut. Unpaginated [60pp.]. Slight rubbing to the head and foot of the spine, else a Fine copy. Generously illustrated with linocuts by the author in many different..... More
Benzonia, Michigan: Presscraft Papers Inc., 1970. Octavo. Bound in original decorated paper covered boards, with pictorial endpapers, fore-edges uncut, others cut. Unpaginated [76pp.]. Slight rubbing to the head and foot of the spine, Neat gift inscription to the first blank preliminary, else a Fine copy. Generously illustrated with linocuts by..... More
Ditchling, Sussex: Saint Dominic’s Press, n.d. [1923]. Octavo. Bound in original beige coarse linen covered boards, title and the wood-engraving Sculpture blocked in black to the upper cover; top-edges cut, others uncut. [iii], 2-41pp. Covers very slightly soiled and cockled, spine sunned slightly, sewing loose in some places, else a...... More
[Leicester]: Orpheus Press [for Twelve by Eight], [1961]. Quarto. Bound in original quarter japon, with spine titled in gilt, and marbled paper covered boards; top-edges trimmed , others uncut. Unpaginated [28pp.]. Designed and hand-set by Douglas Martin. A Fine copy. One of 200 copies, of which this is number 167..... More
Rugby, Warwickshire: The Gamecock Press, 1986. Octavo. Bound in original grey cloth, with lettered spine blocked in black, and black blocked decoration of a heron to the upper cover. Unpaginated [64pp.]. A Fine copy. One of 500 copies, of which this is number 123. This “poetic peregrination” is the second..... More
London: Golden Cockerel Press, 1950. Octavo. Bound in original white pigskin by Sangorski and Sutcliffe, with red morocco panel inlays to front and back covers, and gilt stamped designs after Braby’s illustrations set within the panels. Binders’ stamp (‘Bound by S & S London’) to lower front turn-in. Sewn end..... More
New York: New Directions [printed by The Grendfell Press], 1984. Octavo. Bound in original cream cloth covered boards, with printed blue label to the spine and upper cover, and housed in publisher’s matching slipcase. Unpaginated [48pp.]. A Fine copy. Printed in blue and black on Rives watermarked paper. One of..... More
London: Lion and Unicorn Press, 1959. Quarto. Bound in original laminated pictorial boards; black and white checkered endpapers. Unpaginated [72pp.]. Some minor shelf wear, and a small nick to the foot of the spine; edges foxed, occasional foxing and darkening to the pages, but mostly limited to the front and..... More
London: Lion and Unicorn Press, 1968. Quarto. Bound in original full gold Jacquard silk covers, woven at the School of Textile Design at the Royal College of Art. 72pp. Top and fore edges mildly foxed, some residual binders’ paste to the outer edge of the paste-downs, else a Fine Copy..... More
Toronto: The Aliquando Press, 1973. Octavo, 22.7 x 13.7 cm. Cased in quarter brown morocco, with five raised bands, red and purple French marbled paper covered boards, title stamped in gilt to the upper cover, and rust Strathmore Artlaid endpapers. Unpaginated [40 pp.]. A minor split of roughly 2.5 cm..... More
London: Enitharmon Press [printed by the Daedalus Press], 1968. Quarto. Bound in original cloth backed, pictorial paper covered boards, spine lettered in gilt, and pictorial endpapers. Unpaginated [24pp.] Set in Poliphilus type and printed on Grosvenor Chater’s Glastonbury Antique Laid paper. One of 100 specially bound copies, from a total..... More
[London]: Golden Cockerel Press, n.d. [1950]. Tall Octavo. ‘Unlimited Edition’ (one of 2,250 copies). Bound in original brown cloth, with title blocked in yellow to the spine and upper cover. In very good printed paper dust jacket (with erratum, ‘1949’ rather than ‘1948’). 112pp. Small vertical tear to the top..... More
Philadelphia: The Centaur Press [printed by the Gollifox Press], 1932. Quarto. Bound in original navy buckram, with printed paper label to the spine and upper cover. Lacking dusk jacket. Unpaginated [52pp.] Slight wear to the head and tail of the spine, and along the extremities; minor chipping to both labels..... More
Risbury: Whittington Press, 2001. Octavo. In original stab bound violet Hahnemühle Bugra Bütton paper covered boards, sewn with black silk ribbon, printed paper label set within the upper cover, and fore-edge folded pages. Unpaginated [26 + colophon pp.]. A Fine copy. Set in Goudy Modern type, and printed on Hahnemühle..... More
[London]: The Bodley Head [printed at the Curwen Press], 1958. Octavo. Bound in original cream japon covered boards, with gilt decoration to the upper cover, and spine lettered in gilt; pictorial endpapers and dyed red edges. In fine printed paper dust jacket. [viii], 128, [iv] pp. A Fine copy. One..... More
London: Nonesuch Press, 1926. Two Volumes. Tall Octavos. Bound in original quarter parchment, with brown batik paper covered boards. 283; 359pp. The text was printed by Walter Lewis in Blado Italic type at the Cambridge University Press, on Van Gelder Rag Paper. Illustrated with fifty-three collotype plates after William Blake..... More
Toronto: The Aliquando Press, 1976. Octavo, 24.5 x 16 cm. Cased in quarter brown linen, with Sudare paper covered boards, patterned with alternating vertical bands of cream and brown, and printed paper title label to the spine; orange Torinoko endpapers. Unpaginated [32 pp.]. Some mild toning to the spine label..... More
Kentfield, California: Allen Press, 1962. Folio. Unsewn leaves gathered into five folded fascicles, each covered in beige paper wrappers, titled in blue, and section number stamped in blind; all five fascicles are housed in a stiff linen covered, suede-lined chemise, with spine die-stamped in blue, and matching linen covered slipcase..... More
