[Mission, B.C.]: Barbarian Press, 2015. Quarto, 23.5 x 20.5 cm. Cased in quarter red silk, with patterned cream paper covered boards, printed paper label to the spine, cream endpapers, and red silk ribbon marker; top edges trimmed and cut, others untrimmed. pp. [11], 11- 165, [5, plus tipped in corrigenda..... More

Clairvaux, France / London: Trianon Press, for the William Blake Trust, 1970. Quarto. Bound in original quarter green morocco with marbled-paper covered boards, spine lettered in gilt, and housed in original marbled card slipcase. Printed on Arches pure rag paper. 10 plates in colour collotype + 'Description and bibliographical statement'..... More

[San Francisco]: Manroot [printed by Neon Sun Press], 1979. Octavo. In original orange paper wrappers supported by a stiff folded sheet of black paper, with printed illustration to both covers, and printed lettering to the upper cover. Unpaginated [18 loose bifolia leaves of text; one bifolium of plain Japanese mulberry..... More

Rugby, Warwickshire: The Gamecock Press, 1980. Octavo. Bound in original beige cloth, with black-blocked lettering to the spine, and Gill’s monogram blocked in red to the upper cover. 30pp. [+14pp. of plates and accompanying text]. A Fine copy. Hand-set in Gill’s Joanna type, and printed by Peter Lloyd. One of..... More

Benzonia, Michigan: Presscraft Papers Inc., 1973. Octavo. Bound in original decorated paper covered boards, with pictorial endpapers, fore-edges uncut and dyed red, others cut. Unpaginated [60pp.]. Slight rubbing to the head and foot of the spine, else a Fine copy. Generously illustrated with linocuts by the author in many different..... More

Ditchling, Sussex: Saint Dominic’s Press, n.d. [1923]. Octavo. Bound in original beige coarse linen covered boards, title and the wood-engraving Sculpture blocked in black to the upper cover; top-edges cut, others uncut. [iii], 2-41pp. Covers very slightly soiled and cockled, spine sunned slightly, sewing loose in some places, else a...... More

Rugby, Warwickshire: The Gamecock Press, 1986. Octavo. Bound in original grey cloth, with lettered spine blocked in black, and black blocked decoration of a heron to the upper cover. Unpaginated [64pp.]. A Fine copy. One of 500 copies, of which this is number 123. This “poetic peregrination” is the second..... More

London: Golden Cockerel Press, 1950. Octavo. Bound in original white pigskin by Sangorski and Sutcliffe, with red morocco panel inlays to front and back covers, and gilt stamped designs after Braby’s illustrations set within the panels. Binders’ stamp (‘Bound by S & S London’) to lower front turn-in. Sewn end..... More

London: Lion and Unicorn Press, 1959. Quarto. Bound in original laminated pictorial boards; black and white checkered endpapers. Unpaginated [72pp.]. Some minor shelf wear, and a small nick to the foot of the spine; edges foxed, occasional foxing and darkening to the pages, but mostly limited to the front and..... More

Toronto: The Aliquando Press, 1973. Octavo, 22.7 x 13.7 cm. Cased in quarter brown morocco, with five raised bands, red and purple French marbled paper covered boards, title stamped in gilt to the upper cover, and rust Strathmore Artlaid endpapers. Unpaginated [40 pp.]. A minor split of roughly 2.5 cm..... More

[London]: Golden Cockerel Press, n.d. [1950]. Tall Octavo. ‘Unlimited Edition’ (one of 2,250 copies). Bound in original brown cloth, with title blocked in yellow to the spine and upper cover. In very good printed paper dust jacket (with erratum, ‘1949’ rather than ‘1948’). 112pp. Small vertical tear to the top..... More

Risbury: Whittington Press, 2001. Octavo. In original stab bound violet Hahnemühle Bugra Bütton paper covered boards, sewn with black silk ribbon, printed paper label set within the upper cover, and fore-edge folded pages. Unpaginated [26 + colophon pp.]. A Fine copy. Set in Goudy Modern type, and printed on Hahnemühle..... More

London: Nonesuch Press, 1926. Two Volumes. Tall Octavos. Bound in original quarter parchment, with brown batik paper covered boards. 283; 359pp. The text was printed by Walter Lewis in Blado Italic type at the Cambridge University Press, on Van Gelder Rag Paper. Illustrated with fifty-three collotype plates after William Blake..... More